Last night, I watch the documentary The Man Nobody Knew about former CIA Director William Colby. The film was directed by his son, Carl, and covers his life as a member of the clandestine services - first, OSS, and later, the CIA. It’s a very interesting look at his service and the toll it took on himself and his family, as he wrestled with the issues involved in secrecy, particularly during his years as CIA Director when the Agency was being investigated by Congress. A good film looking at intelligence issues from a personal angle with interviews from many influential policy makers. It’s currently available on Netflix, and you can learn more about the film here.
Spike Lee and Chris Rock pose after the premiere of Lee’s film Red Hook Summer during the 2012 Sundance Film Festival. Chris Rock attended the Festival in support of Julie Delpy’s new film 2 Days in New York, in which he stars.
Both Red Hook Summer and 2 Days in New York open in select cities this week.
Photo by Jonathan Hickerson
When reports began circulating that Saturday Night Live scene-stealer Kristen Wiig will likely leave the show for Hollywood at the end of the current season, hardly anyone was surprised. Wiig, the thrice-Emmy-nominated mastermind behind the Target Lady, narcissist extraordinaire Penelope, and uncanny impressions of everyone from Paula Deen to Bjork, is coming off a banner year. She scored an Oscar nod for co-writing Bridesmaids, and already has six major films in the pipeline for the next two years, opposite A-listers like Robert DeNiro and Ben Stiller. Just last week, she emerged as a frontrunner, along with It Girls Emma Stone and Emily Blunt, for the female lead in the hotly anticipated The Thin Man remake opposite Johnny Depp.
Need more convincing that this is the perfect time for Wiig to leave? New York’s Josh Wolk noticedthat the most successful SNL vets from the last two decades left the show sometime between their sixth and eight seasons, a “sweet spot” window Wiig is in now. Will Ferrell, Mike Myersb and Dana Carvey all left after seven. Amy Poehler and Phil Hartman put in eight. David Spade and Tina Fey departed after six (on-camera) years. Those who stayed beyond that—Darrell Hammond, Tim Meadows—have struggled. So look out, Hollywood, here comes Wiig, right? To quote my favorite SNL creation of hers, the nerve-addled Judy Grimes, “Just kidding!” Though her Hollywood prospects look promising, a survey of history reveals that success is by no means guaranteed.
Wiig is entering essentially uncharted territory. The Oscar nominee is, understandably, avoiding another television gig and shooting for the (movie) stars. On the surface, this doesn’t seem all that unusual: Ferrell, Myers, Carvey, Sandler, after all, have all gone on to hugely lucrative film careers. But they’re all men. With the exception of Tina Fey, no former female SNL cast member successfully made the transition to movie star after exiting Studio 8H. But the grosses for Fey’s two major post-SNL films, Baby Mama and Date Night, were nowhere near the stratospheric hauls of Ferrell’s or Sandler’s or Myers’ flicks. Plus, Fey more typically associated with her TV work on 30 Rock than with her film roles. The same is true for Amy Poehler, Maya Rudolph, and Molly Shannon. In fact, a survey of the post-Saturday Night Live resumes of the show’s most talented female alumni reveals that almost all of them struggled to achieve a respectable film career, many struggled to find regular work at all, and those who managed to get steady jobs found them most consistently on television. Wiig’s road to movie stardom is rockier than it may seem.
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Me: We’re [PPG and I] going to see The Cabin in the Woods. So, we’ll be there late.
My sister: Nice. What r u going for? Why wouldn’t u stay for the weekend?
Me: It’s a movie.
My sister: lol
Inception Park is pure fun, with theme park rides zipping between historic buildings in Buenos Aires, thanks to clever special effects. The video was directed by Fernando Livschitz of Black Sheep Films.
A Really Cool Look at Francis Ford Coppola’s Copy of ‘The Godfather’
A page from Francis Ford Coppola’s copy of the novel The Godfather, filled with his notes for filming, has been making its way round the internet, and it provides some awesome insight into the way the director draws on his source material.
Read more —> The Atlantic Wire